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Image by Adil Murshed

The Sound of Rice

By Carol Muthoni Mbugua

After her grandfather's death, a simple kitchen ritual begins to reveal its hidden meaning

When my grandfather measured rice, the whole house listened.

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Not because he spoke. He rarely did while cooking.

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It was the sound.

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The aluminum mug disappeared into the sack with a soft sigh, then rose heavy with grain. Rice spilled back in a pale stream until it reached the worn line etched around the inside of the mug. He never looked as he leveled it with two fingers. The grains falling back made a sound like dry rain against metal.

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Shhh... shhh...

Every evening it was the same.

I used to think he was measuring dinner.

Only years later did I understand he was measuring something else.

The week after his funeral, we emptied the house.

​

My mother folded blankets into neat piles. My uncles argued over an old radio that hadn't worked in years. My cousins filled cardboard boxes with things no one wanted badly enough to fight over.

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I stayed in the kitchen.

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It still smelled faintly of wood smoke, onions, and the cardamom tea my grandfather brewed every afternoon, whether he had company or not.

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The rice sack stood in its corner.

Beside it lay the aluminum mug.

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Its handle had been repaired with copper wire twisted carefully into place. The rim was smooth from decades of hands. At the bottom, the metal had grown so thin it shone silver where countless grains had rubbed against it.

​

I picked it up.

It felt lighter than I remembered.

​

When I was eight, I asked him why he didn't buy a proper measuring cup.

Everyone else we knew had plastic ones with numbers stamped on the handles.

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He smiled without looking up.

"This one already knows."

​

I laughed because I thought he was joking.

Grandfather simply poured the rice into the pot.

As children, we believed he couldn't count.

There was always too much food.

Visitors left carrying leftovers wrapped in old newspaper.

​

My grandmother would shake her head.

"You've cooked for an army again."

He never answered.

He only lifted the lid and stirred.

​

Only now, standing in his empty kitchen, did I begin remembering properly.

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There was the afternoon a cyclist arrived soaked by rain after his chain snapped on the road. Grandfather brought him inside before asking his name.

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There was the young teacher whose bus broke down and who stayed until morning because there was nowhere else to sleep.

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There was old Mama Wanjiku from across the valley, who came after her husband died and somehow always happened to arrive just before lunch.

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Then there was me.

Home from university one holiday, carrying more uncertainty than luggage.

I had told no one I was coming.

​

When I stepped through the gate, Grandfather looked up from washing vegetables.

"You're just in time."

Not:

"Why didn't you call?"

Not:

"We weren't expecting you."

Only—

"You're just in time."

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He reached for the rice sack.

That evening, after everyone else had gone home, my aunt joined me in the kitchen.

She picked up the mug.

"I told him for years to throw this thing away."

"It still works," I said.

​

She laughed.

"It stopped matching the rest of the kitchen before your mother was born."

She turned it over in her hands.

"Do you know why he never replaced it?"

​

I shook my head.

"He said a new cup wouldn't know the sound."

Before I could ask what he meant, she set it down and left.

Long after sunset, I stayed behind to lock the house.

​

The silence felt unfamiliar.

No kettle whistled.

No chair scraped across the floor.

No gentle rhythm of vegetables meeting a wooden chopping board.

I opened the rice sack one last time.

The grains were cool beneath my hand.

​

I filled the mug.

As I leveled the top with my fingers, rice slipped over the edge.

Shhh... shhh...

The sound filled the kitchen.

Suddenly, I wasn't alone.

​

I could almost see him standing beside the stove, listening—not to the rice, but to the space beyond the door.

As though every meal began with the quiet belief that someone might still arrive.

​

Someone delayed by rain.

Someone carrying bad news.

Someone too tired to cook.

Someone who simply needed to be expected.

​

Months later, in my apartment across the city, I bought a bag of rice.

The cashier asked whether I wanted a measuring cup that was on sale.

I almost said yes.

Instead, I reached into my backpack and touched the bent aluminum handle wrapped in copper wire.

"No," I said.

"I already have one."

 

That evening, I cooked alone.

Or so I thought.

The mug dipped into the rice.

Shhh...

One measure.

Then another.

Then, without thinking, one more.

Too much for one person.

Not enough to waste.

Exactly enough to leave room.

​

Just as the pot began to simmer, there was a hesitant knock at my door.

It was the woman from the apartment opposite mine.

She smiled apologetically.

"My power went out," she said. "I wondered if..."

She didn't finish.

​

The smell of rice had already answered for me.

I stepped aside.

​

"Come in."

Behind me, the pot continued its quiet whisper.

​

For the first time, I understood that my grandfather had never been listening to rice.

He had been listening for footsteps.

Image by Thomas Griggs

Carol Mbugua is a  writer whose fiction explores memory, belonging, and the quiet intersections of tradition and change. Her work has appeared or is forthcoming in Metastellar, Space & Time, Banshee, Sci Phi Journal, The Suburban Review, and FlameTree Press. She enjoys crafting stories where ordinary moments reveal unexpected emotional truths.

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