
The Last Second
By A. Allan Chibi
One final second. An eternity inside it.
The last thing I remember was cracking cascading through the window screen of my car. Just before that, another car came screeching at me from the intersection. I watched with fascination at the spreading cracks; slow motion, no sound. Then darkness.
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Then I came to my senses here.
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I briefly wondered if I had been wrong all those years, and that this was heaven. Certainly not heaven, from books and movies. This looked more like a staging area; a waiting room at a dental office. Sterile, neutral-colored walls, chairs bolted to the floor. Then I noticed the other people were already seated. Every one of them was dressed in the same beige shirt and trousers. Slightly darker brown shoes. I looked down and realized I was wearing the exact same uniform. No variation. No personality. Just default.
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“Is this heaven?” I asked the woman two seats away. She just shrugged and returned to staring at a little frosted glass window. Behind it, I could now see; other people were moving about. Nurses, maybe? Receptionists? Before I could ponder the meaning of that, the little window slid open. A pleasant looking woman held up a clip board.
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“Numbers 45 through 50, please enter.”
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A door that I had not noticed before appeared near the window and opened to reveal a corridor. It was only then that I noticed that I held a little slip of paper in my hand that had 47 smartly written on it. Others were getting up and moving toward the door, so I did too.
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A man with a clipboard examined our tickets, took them, checked boxes and indicated another room at the end of the corridor. I followed the others and the door opened from within. Another man, this one in a white lab coat, greeted us politely.
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“Come right in and have a seat.” He smiled.
“Is this heaven?” Someone else asked.
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He smiled, “We’ll get to that shortly. Please, everyone sit down.” We did, and the man moved to the front of the room and took a seat on the edge of a desk.
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“First, let me clear up the obvious misunderstanding. This isn’t heaven. If it were, the chairs would be more comfortable, I wouldn’t be wearing this ridiculous coat, and nothing would be beige.” I smiled at the good-humored answer. Others seemed settled by it.
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He tapped his own clipboard. The sound was hollow, like tapping on a monitor. “You’re in what we call the debug layer. Think of it as the backstage of your own mind. The scaffolding as it were. The part of the system that only appears when something has gone catastrophically wrong.”
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He leaned forward. “And something has gone catastrophically wrong for all of you, hasn’t it?” A pause. He watched all the faces to see if anyone remembers.
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I put up my hand and he looked my way. “You mean ... that other car hitting me?”
“Yes, that’s right. And you?” He pointed the end of his pen at the woman sitting beside me.
“Um, a bus crash?” She said, “I wasn’t really paying attention to anything but my phone.”
“I think the building was collapsing?” Said another.
“I was having surgery done on my liver, but they said it was just a routine standard procedure.”
“Yes, yes, typical, isn’t it? And you madam?”
“I... I was just watching television.”
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The interviewer nodded and checked some more boxes on his sheet. “Quite so. Good. Okay, not to put too fine a point on it, but you are all dying right now. Or rather, your bodies are. Your brains are doing what brains do when they’re shutting down: they’re trying to keep the lights on. Generating environments, narratives, and people. Me ...” he placed a hand on his own chest, “for instance, I’m not real. I’m a convenience. A user interface if you will.” He then waved that hand, and the walls of the conference room rippled like a graphics engine struggling to render.
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“This place exists because your consciousnesses are lapsing in on themselves right this second. The boundaries between your memories, fears, and sensory fragments are thinning. You’re not alone, some of you, obviously, and many others from the same… incidents … your bus crash Lucy, your car crash Brian, are bleeding into the layer too. You’ll meet the others soon enough.”
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He lowered his voice.
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“The debug layer is where the system tries to make sense of the crash for you. It’s not supposed to last long. A second, maybe less. But from your perspective it stretches out. It feels like time. It feels like a room. It feels like me.” He sat back, placing the clipboard on the desk beside his hands.
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“My job—such as it is—is to help you understand what’s happening before the whole structure dissolves. Before the last electrical storms in your neurons flicker out.” A faint smile. “Don’t worry about it. There’s no judgment here. No punishment. No reward. Just the final processes of an extremely complicated machine winding down.”
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He tilted his head toward one of the men.
“If this is only a second, why does it feel so long? And what happens when the brain finally lets go?”
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He smiled. “Those are excellent questions, Miles. You were a physicist, right?” He glanced at his sheet. “Miles, that’s right.” His face took on a serious expression. “The brain doesn’t experience time the way the clock does. In these last moments, it compresses an entire lifetime of processing into what the outside world measures as a fraction of a second. To you, and the others here, it feels like minutes... hours, even, because your perception is running at maximum capacity, trying to make sense of the end. It’s the ultimate ‘life flashing before your eyes’ effect, stretched out for dramatic convenience.” He leaned forward slightly, almost kindly. “As for what happens when the brain finally lets go…”
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Turning to me: “Brian,” he said gently, “you’ll probably go back to the crash. Most crash deaths do. But for a moment, just a moment,” he emphasized, “you might see her again. The little girl on the sidewalk holding a red balloon. The one you smiled at right before the light changed. The last kind thing you did.”
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He spread his hands. “Then the simulation ends. The lights go out. There is no pain protocol. No judgment subroutine. Only cessation. The story concludes. The consciousness designated as ‘you’ dissolves back into baseline data. No tunnels. No choir. No relatives are waiting. Just the gentle, impersonal mercy of a system powering down.”
A faint, almost wistful smile crossed his face. “Some people find that terrifying. Others find it comforting. Either way, it’s honest.”
“But I can’t be dying,” I said. “I still have to pick up Emma from school.” The room went very still. Even the scientist’s expression flickered. Was that sympathy? Or just the simulation adjustment.
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“Your mind will go where it needs to,” he said quietly. Lucy’s eyes widened.
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“Wait, wait. Does that mean I’ll be stuck on that bus forever?” Her voice cracked on the last word. For the first time, she looked truly afraid. The scientist offered a small, almost kind smile.
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“Only until the lights go out, Lucy.” He regarded the rest of us.
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“You’ll each go to the last place your mind clings to. A memory. A fear. A regret. A wish. Whatever feels strongest in these final microseconds.” He looked directly at me. “Most people return to the crash itself, sorry Brian. Looping. Slow motion. Forever, from your perspective. A few… manage something kinder.”
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The lights flickered. The beige walls stuttered like corrupted code. Someone gasped as their chair dissolved beneath them. Another started crying, whispering a name. I looked down — my own beige shirt was beginning to fray at the edges, threads unraveling into nothing. The uniform was coming apart. Whatever had assigned it was losing its grip. The system was forgetting who we were supposed to be.
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The scientist stood, suddenly distant, his voice flattening into something mechanical. “Segmentation complete. Allocating final cognitive environments.”
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The room fractured. Chairs dissolved. Walls peeled away like an old film. Each person vanished into their own shard of memory. Lucy into sterile hospital corridors; Miles into endless equations on blackboards, and me… yes, I fell backward through shattering glass. The last thing I saw was the scientist watching me with something almost like pity. Then came the sound of metal screaming. And the windshield, cracking open again.
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And the second stretched, stretched, and stretched

Dr A. A. Chibi is a historian and writer with a Ph.D. in History from the University of Sheffield. He has published extensively on Tudor and Reformation history and writes fiction (historical and speculative) under the name A. Allan Chibi. Previous short fiction has appeared in The Wise Owl Magazine, Altered Reality Magazine, and House of Long Shadows. He lives in Sheffield, South Yorkshire.